Before the primary democrats of the 22 of April in Pensilvania adversaries of the Clinton they requested that gains Obama so that does not follow the drama. However, Hillary won by 10 points. While Obama protests that he is the precandidate who has secured more votes, States and delegates, she him retruca that if the annulled interns of Florida and Michigan were clear she would be ahead in voters. At this point she is impossible that Obama or Clinton obtains the 2.050 delegates necessary to be proclaimed. This will lead to that who they dissolve they are in favor heads and the democratic convention that will occur two months before the presidential ones of the 4 of November; and that Florida and Michigan want to impose their results or that they are called there to new elections. Obama, although it penetrates in sectors average and voting republicans, does not pierce in the traditional or working base of the democrats. The struggle intra-democrat benefits Bush who, in spite of being unpopular, can esperanzar itself in which with that crisis its party remains in the power. Original author and source of the article.
This phrase said for one of the bastions guardies of this manifestation demonstrates the multiple and dynamic character of the capoeira, that if transmuta and if adapta, that it is rebelled and if accomodates, that creates and reproduces, that already served to defend itself and to even kill, and that today serves stops to educate, but that always it was an shout of freedom and reaffirmation of a culture and an oppressed people, reflected of the sad history of four centuries of slavery in Brazil (ABIB, 2004). In It hisses (2003), one extends Capoeira to it the dance, fights, trick and combat, mandingueira and objective, malandra and loafer: the Capoeira is the resistance of a people integrated to the mass, is culture, is race, is the phenomenon of the unfinished one. The author also considers, that the capoeira is game, corporal expression that … the same, fight and dances, touches and sings, attacks and defends; it is the body that goes and comes, of a side for the other, finding spaces in the small emptinesses of the circle for, irrationally, that is, without the rational use of the movements, to feel itself exempts of the real and social pressures of exclusion human being (IT HISSES, 2003 P. 55).
Capoeira is the dexterity fight, where two opponents play in wheel, and through corporal movements expression movements of attack and defense is in its majority with the legs or the hands and etc. in short, fight disfarada in dance is a game/. Dramaturgo Days Gomes said that in the capoeira the players, ' ' they are companionable. They do not fight, dissimulate to fight. They look for? brilliantly – to give the artistic vision of a combat. Above of a competition spirit, it has a direction of beleza' ' In this way one perceives that the estimated ones answered by the participants of the research if are similar with some conceptual aspects of the above-mentioned authors.
This project has as objective to analyze the story, the face, of the workmanship the man of two heads, of Almeida Fisher, that has as main personage a doctor and narrator, who express much love for its son, but that it is felt incompreendido by the commentaries of the people in relation its life. It is a history that tells the thought of this personage, a half thought that confused and that involves the reader through the mystery and that is only unmasked to the end of the reading. This project contains important comments regarding literature, which its importance, and what it influences in our lives through the importncias of the text in question, and that it will be able to serve as source of study for interest of other students. 1,1 JUSTIFICATION the story, the face, of Almeida Fisher, is a workmanship that has one weight tragic for if dealing with the envolvement of a child, is interesting and emotive, but at the same time dreadful, is what it calls more attention and it surprises the reader, becoming the intriguing workmanship. The narrative if initiates with the thought of the doctor, inquiring that it understands nobody it and that all are judging to it, tells of as if feels in the environment where is, it perceives the friagem of the brutais gratings separate that it of all, the people say that it is lying and he does not say ‘ ‘ thing with coisa’ ‘ , but it answers that it can believe its reality and not the one of the others.
This assay has as objective to study oprimeiro of these poems, considering in it two aspects: first, the hybrid suanatureza (Literature and Theater), specifically the case of the AUTO one; second, the relation that if establishes between this form or sort and the engajamentopoltico-social one of the poet. For the elaboration of this assay, one appealed to aosseguintes critics and historians: Alcides Villaa (2003), Alfredo Bosi (1994), Carlos Rasp (2001), Luiz Coast Rasp (1995), Georg Lukcs (1978), Jean-Paul Sartre (2004), Pricles Eugnio Da Silva Branches (2001) and MassaudMoiss (2003). Death and Severina life more popular workmanship of JooCabral are an Auto one of Christmas of the pernambucano folklore. Its line narrative seguedois movements that appear in the heading: ' ' Morte' ' ' ' vida' ' , noprimeiro movement has the passage of Severino personage protagonist, who seguedo hinterland for Recife in face of the economic and social oppression, Severino has afora collective of a typical personage, represents the retirante northeastern. Jno according to movement, of ' ' vida' ' , the author calls the attention for aconfiana in the man and its capacity to decide problems. The look is main the half one of a poet to catch realidadeque surrounds. This exactly to look at also catches the perpetual newness of the things. ParJoo Cabral de Melo Grandson poetical making is reached through the logic, doraciocnio, of the reason, eliminating itself superficial emotions, is one rupture totalcom the sentimentalismo, its poetry reflects the problems of the world and the serhumano.
The workmanship denotes objetividade in what it refers to raw and the cruelrealidade northeastern, developing itself in some cases in direction to queextrapola the Real, the surrealismo. In the thematic level, the writer discloses to great concern comsua people: the retirantes northeasterns. Severino is a sofredor man, eleinsiste, it leaves. Moreover, the Severino name is common between osnordestinos, reason that the author took to explore it as adjective mentioning itself vida of the northeastern, of the retirante (the death is severina, the life is severina), symbolizing the suffering while still alive and death of the severinos.
literature, script, theater, cantigas that ‘ ‘ Face-of-Bronze’ ‘ it can be read as transemitico and transgenrico text. For this analysis foramutilizados, over all, the concepts of transtextualidade, Gerard Genette; intersemitica detraduo, of Roman Jackobson; of transcriao, Haroldo deCampos. For the accomplishment of this comparative analysis between narrativa’ ‘ Face-of-Bronze’ ‘ a cinematographic script also was used, as base, the theory on scripts, of Doc Comparato, gift in books Script: etcnica art to write for cinema and television and Of> creation to the script. Nesseslivros, Comparato establishes differentiations between the literal sorts that seapresentam in the rosiano transemitico text, ' ' Face-of-Bronze' ': the narrative and oroteiro. In this study they had been also used, as base for the analysis, theories on the audiovisual sign, as Images of the Great Hinterland, ArlindoDaibert; The specular illusion: introduction to the photograph, of Arlindo Axe; Obvio and obtuso, of Roland Barthes. Finally, in what it says respect to ediode videos and films, of texts on techniques of filming and history docinema, of the television and the video, texts had been used as What it is cinema, of Jean-Claude Bernardet; Introduction to the cinema, of Jose Eustquio Romo; Cinematographic Alinguagem, of Marcel Martin; The process of creation in the cinema: research of audiovisuais language and structure, John Lawson; of the imaginary clssicoMquina and, Arlindo Axe.
Word-key: Pink Guimares; the duel, long-metragem colored. In this exactly year, Pablo Thiago also launches literary the Acriao video in Pink Guimares Joo who together with Of the hinterland aobeco of the Lapa, directed for> Maurice Capovilla in 1973, and the GuimaresRosa Joo, of 1968, will give to the bases for the videogrfico text of Fernando Sabino eDavid Snows, launched in 1975 for Well-you-Vi Films: the Veredasde set of documents Mines. Mining Cabaret, launched in 1980, was directed porCarlos. the P. Leather strap. Still in 1980, Helvcio Ratton directed a biography Pink deGuimares intitled Short Pink Joo, of approximately trezeminutos.