How to recover my partner? You wonder: should I do, where to turn for help are moments of disorientation, helplessness and despair, For witchcraft and I think the middle does not matter as long as your goal. Sometimes it's as simple as how to talk to someone who actually knows more than your idea to use psychology and know how to use keys and there are always played at the right time (whether before or after) and during the interval justoa (no more or less) a will produce a harmonious and irresistible music (in tune that could throw the entire heap definitely). Asin magic spells or useless!. In the case ofA knowledge Malagaa Sandra Patricia, a very young woman but with a natural talent for these cases and that was to be known for helping her friends to get her love when it seemed impossible mission, his "talent" transcended up Social Club idea trachea celery curiously named "Bad idea Amores" a Torremolinos site asked him to help people who needed a more "official" this girl because she does not reach the 30 annos, does not employ or spells, or magic, or anything beyond the reason of psychology and behavior patterns, use natural reactions to other natural stimuli. It advises, accompanies and helps to understand you and understand your partner and of course use this knowledge for the benefit of love. First of all (I said) a must ask cold and rationally as possible if you restore the love we need. Do not do to have then the possibility of being abandoned and the ones who will get the satisfaction of revenge in cold dish because usually the weakest part is again the same again and turns against you, or is not appropriate because it is a relationship sencillamentea stormy or unequal gets us nowhere. "First of all we must evaluate the appropriateness and then act." Sandra Patricia for those who want to know can do it through one of the pages of the Board "Mal de Amores" Good luck to Torremolinos
The small that go to day care or nursery school now enjoy free days. And it is time to take the vacation time with children, at his side, enjoying as never the mutual company. It is time to be more flexible and put our full attention centered but not centered on the obligations, social and family commitments or to review things that touches them learn or get. Our children ask us the best gift that you can receive, our attention focused on them. It’s time to devote to the game, free, intense, without rigidities. Game in which children make us go back to our childhood. To the pure fun, the jump on beds, lift us up late, breakfast churros and chocolate, watch movies sitting on the couch beside her, embrace us without reason, remove toys and not worry if they stay in the middle of the living room. Time of walk in the park that staining of mud, run and forget the schedules.
And learn, of course, has its place also on vacation, especially if we can also the parents enjoy them. They will learn painting with us, walking in the forest or in the mountains, playing on the shore of the sea, enjoying that I read them stories or watching a museum or a game reserve. Listening to us telling family stories, assembling the crib and the tree and even reveling in a special meal in the company of people who love them. Forget scolding, rush, schedules and rigidity. Take advantage of the holidays with children. It is a wonderful time and the best gift in the world for them. Original author and source of the article
It is in it that the child searchs personal support, references, protection and orientation. The presence of this familiar one becomes the child capable to support the sufferings and ansiedades appeared during the illness and hospitalization. To forbid the permanence next to the child of this figure of affection can mean the taking of the responsibility of the child for the institution, beyond intervening with its sense of security, satisfaction and relief. Beyond the affection figures, it is necessary, it welfare of the child in its hospitalization, that are satisfied other necessities, second Rasp et al (2006). Amongst these, a satisfactory ambient stimulation, therefore its cognitiva and psychological intelligence is not born ready, and with this adequate sensrio-motor stimulation, it will be able to result in the development normal, or next to this, what it could prevent the retardation sensrio-engine of ambient origin. The recreation necessity also is indicated as important, therefore it is playing that the child interacts with the environment and works its distresses and fears.
The participation of adults in the tricks can occur, when eventually requested for the child. However, in the nursing, it can be opted to the technique of the therapeutical toy, intervined in the hospitalization of the child, giving a possible assistance traumatic the least. Hospitalization brings fear for to be something unknown, a new experience. With the use of the therapeutical toy, knowledge of the proper body is propitiated, what they increase the possibilities to more perceive, to differentiate and to feel the world to its redor in a way insurance. For Rasp (2006), to play already it is a therapeutical process. It is played with what if it cannot understand, is played to be able to understand better and to ressignificar the life. It also has the necessities of corporal hygiene, comfort, clothes, sleep, control of the eliminations and sexual curiosity (Rasp et al, 2006).
In an interview with the great pianist Miguel Zannetti companion, said “we should eliminate the word pianist-accompanist, and replaced it with another pianist like camera.” If we understand the term companion, as a person who accompanies us in the sense of the artistic, person who helps us to provide an interpretation of a friend who watches and listens from behind, there is nothing pejorative. Every good soloist, knows the importance of being wrapped by a pianist who to trust, which helps tune the performance nerves, that in moments of inspiration leads in a twinkling the soloist or the difficult moments of a passage takes the reins . It is the lifeline that is the soloist on stage. A good accompanist is a guarantee, and this we know the true professionals. Some, and especially singers, are duos that last a lifetime, like a marriage. The piano accompanist is a professional who knows the peculiarities of repertoire, style, musical developments of the instruments … Great pianists have dedicated part of their activity to accompany, Rachmaninov, Horowitz, Baremboin, Askenazy … others have focused exclusively on accompanying his activity as G.
Moore. H. M. Deucht or Spanish Zannetti or E. Arnaltes.
Also several of the great conductors have been in their early or correspondent excellent accompanist of opera, Abbado, Mutti, Levine, Sawallisch, Pappano … Unfortunately in Spain can not study the specialty of “pianist – accompanist” unlike in other European countries, and the practice of students in the conservatories is limited to a few chamber music classes, taken as a subject “Extra.” Here the pianist is at a distinct disadvantage with fellow string group playing in the orchestra or wind in the bands, while the pianist spends long hours of study alone without anyone to share their interpretation. Conservatories accompanying pianists have, however there is no specific access to this task in the system of examinations for admission to the conservatory, lumped together with piano and piano teachers are complementary (otherwise equal). So the piano accompanist or want to be just left to go explore the repertoire on their own, increase their knowledge of other instruments, the particularities of each one of them (issue, arches, joints, pitch …) language to accompany singers, stylistic features, etc.., all this after making his piano studies as any piano teacher and soloist. Hard road for so little recognition. THE PIANIST COMPANION: “The pianist companion”
Its last workmanships had been chose to them Sad (Tristia), reflections and hurts of the exile, In final verses of the Tristia, III: 7, 51-52, the poet reaffirms the inabalvel belief in immortality of its name, reached through its poetical workmanship. Cnscio to have fulfilled the mission of an inspired poet, emphasizes that while to last the name of Rome, it has to last of the poet, and Epistles of the Point (Former Epistolae Point), unconsciousness protests. In the elegaca coletnea TRISTIA, book composed cincos (libelli), one of the workmanships written in the deportation (relegatio), in Tmis, Ovdio in discloses its misfortunes, its fears and its hope to them in the clemency of the friend and August Emperor. The poet describes in pathetic style its experiences, its sentimentalismo and the expression of pain after the rupture and the separation, not only of the URBS, but, mainly, of its familiar ones and the friends. Former EPISTULAE POINT? amongst others, we can evidence the split enters two times in the life of the poet. Previous and an other subsequent to the banishment for an inhospitable place, surrounded of Barbarians. In the first one, it is the vivacity, youth, and the mundane life of Rome; at as the moment, they are the oldness and the death it to perpassar the soul to each day that passes in Tmis to the wait of the clemency of Augustus who, during a period, felt to be possible. With passing of the time, forgotten and relegated to its prpr it will gar.
io destination, cnscio of its future, perceives that this pardon will not arrive. With the death of the August Emperor and the ascent to the throne of Tibrio, the hope of the clemency becomes impossible. Falece the Ovdio poet in year 18, without having again placed its feet in Rome; but its metric feet had returned Rome together with its workmanship, assigned for the poet as ' ' infelix cure, libelli' ' (v.