A good museum is a thing by which the public is made use pagar.' ' Thus the process of the exploration of the tourism inside of the museais spaces requires to think the visiting tourist/as a part-key of extreme importance, since these are actors who make of the culture a strong element of consumption in its trips tourist packages and exactly demand quality of information and attention. Currently, the cultural tourism comes gaining space in the segment of the tourist activity, if detaching in the preference of certain tourist groups that appreciate, for example, artistic activities, folclricas presentations, gastronmicos events, among others manifestations of culture. The cultural tourism is strong on to the activities of artistic and cultural fist, and the museums are rich of these elements and can offer them its visitors to it. Vasncocellos (2006, p.33), quotation that: … the tourism is a way of verge attainment that takes progress and economic development to the attractive rich countries in patrimonial, therefore opens work ranks, promotes the monument conservation, small farms and landscapes, at the same time where it foments its identity and it promotes its image in international level. Observing the museums as spaces that withhold the cultural patrimony of a locality, she is necessary to attempt against for question of the adequacy and sustainable exploration of this patrimony. The tourist activity, as for the cultural tourism, if planned well, can contribute with the preservation, conservation and democratization of the access the cultural, guaranteeing the support of cultural the historical goods and practical good, making possible bigger access of the local community to the benefits that the tourist activity can bring. Considering the tourism as an activity of social, economic and cultural transformation, strong fincado in the current society, the existing relation between the tourism, in what it refers to the practical ones of cultural tourism, and museums, they can provide to an efficient result in the preservation of the patrimony, contributing for its maintenance and protection. .
What do I wear? For starters, no hats or black shoes or white socks, we will try, to practice, that means that we do not go well at first, and that no one is going to look for us to look, let's see that does not come out …. Whether I'm like girl child, we will get comfortable, nothing tight, baggy jeans and comfortable shirts, be a rapper, or a tracksuit, or old clothes that are open or broad. Where do I start? Away all your mirrors and windows of time, lest the break:) have a minimum space of 3 or 4 square meters, either in the dining room, your room, or on the street, why not? … Look at the floor above, and calculalo more or less, please, do not take any metro: D just kidding, do it if you want to calculate it by eye, think a meter is more or less a step, so make a square in floor 3-4 meters, and try to see as a circle dance. The ground, … slippery? or seized? there are some imitators who prefer it very slippery, to make turns and the "moonwalk" easier and faster, and others prefer very dry, clinging to feel more safe …. What is right, then? the answer is: IT DEPENDS ON YOUR SHOES.
Your shoes can also be slippery or not … then we have to create a middle ground, not too slippery, or too caught. If you get nothing from this, you must be very careful, because you have serious injuries. Getting Started … simple do not try to "moonwalk" (step that seems to walk, but we are going backwards), or even get on tiptoe, …
Let's start with a dance, for me, the simplest of MJ, but very moved. The song Beat it, from the days of West Side Story, where we see that steps have inspired this movie. Steps: 1 dcho arm fully raised two back off, left arm fully raised three same as step 1, but also the r. leg, stretched to the same side, touching the ground with the tip 4 as step 3 but with the arm and left leg. 5 ourselves as at first look normal, and left and with both arms, as if we catch someone by the waist and suddenly give a nudge to the back (right) in June we take a step back (right) and quickly 7 repeat step 5 8 stretch the arms out of the body, looking in front, as at first while, we exchanged the feet of the site, the front nine left dcho girarnos 10 repeat step 8, (now we're back) 11 12 are left girarnos as at the beginning: we raise the left leg forward and left hand a little, and try to play with both hands again on 13 December 1914 with the other leg, Right, the rise in the left hand to do a big parts of this series, passing close to our face (if you do not have much flexibility, you can bend it, but will not be so well) above 15 hands and arms with 16 lost two, both legs 17 luck:) You've done more or less choreographed MJ:) but I need more power, more style … will help you watch the video much BEAT IT, DVD or concert of MJ. If you want to learn more and better, you can subscribe the school Gb-Mj. We will make great on-line videos for you to learn at home.