The reality if confuses with the fancy, without any limitation. The people were considered heroes in the same plans of fairies, witches, monsters, giants, etc. To this still add the love to justice, spirit of sacrifice self-denial, veneration and respect to the woman. The first edition of this workmanship dates of 1508 for Garci’a Ordnez de Montalvo, who was Spanish, but the Portuguese demand the workmanship as of them and attributed to the Vasco de Lobeira and/or Joo de Lobeira. The problem still is in foot, without solution. 4.3.PROSA DIDACTIC: Also known as it chats doutrinal of the cut, its writings are of scarce literary importance.

They show that the kings and princes of the dynasty of Avis, had stimulated the development of chat and had contributed with passion in this task. They are works of didactic and moral matrix, original or in translation. Between the authors we have: D. Joo I, infant D. Peter and D. Duarte.

4.4.TEATRO POPULAR: Gil Vicente was the founder of the Portuguese dramaturgia, its aperfeioador, raising it a height never seen and exceeded until today. He was the imitated author more of the sort, therefore it created a vehicle and more direct efficient of communication between the author and the public. He was the introducer of the new theater in the world. In the Humanismo a new classroom worried about the money and the wealth appears: the bourgeoisie, reflecting trend to the individualism. The culture, before privilege of the clergy and the nobility, becomes lica. The thought humanist represented a chain of aspirations guided for the purely human ideals, in opposition to the misticismo that predominates in the average age, a time that the medieval dogmas had hindered this aspiration, made to reviver then the classic subjects of the antiquity Greco-Latin. The previous period everything turns the God, for this received the name of Teocentrismo, the current period everything is turned to the man and received the name from Antropocentrismo.