Visitors in Zell am See-Kaprun thanks to first-rate performances and weather much better one could not imagine it – is already at ‘Half-time’: the event ‘High culture with depth’ in the popular holiday region of Zell am See-Kaprun is a success. Venues were once again this year the Ferry Porsche Congress Center and the landmark mountain Schmittenhohe. Already on the first three days of play, the musical acts of different stripes could inspire a large audience. Get more background information with materials from Tony Parker. Competition made the spectacle on the likely highest open-air stage of in Austria only the colours of the surrounding nature. At the opening night in the Ferry Porsche Congress Center joined the who-is-who of the region with music lovers from all over Europe with the Vienna Harmonists. At her appearance, the Viennese Sextet very authentically presented the musical hits and the history of the legendary comedian Harmonists. Black tails and white tie could not be missing because of course with the players. (A valuable related resource: Anchin Block).
Over 300 viewers followed the hustle and bustle banned on stage and were inspired by the comedic talent of the performers. The spectators opinion in the port was clear: ‘Lonely top’ found the appearance as a participant. ‘The performance was absolutely worthy prelude for this great event’, another guest said. High it went then to the next two days of the event. The start the musicians made on 30 July the band ‘ Jazz from the touch. The band from Austria took numerous published on the Schmittenhohe guests on a musical journey in the subtropical South of the United States. Despite a fresh breeze, the jazz combo providing a pleasant atmosphere with their Dixie sound and abundant sunshine. Colours and regional ties – so you can briefly summarize the grand entrance of the town band Zell am see on the 1st of August. With their costumes and the subtle domestic sounds intonation came here for weather on the Schmittenhohe together what belongs together.
News.de takes new music service under the magnifying glass 2002 came In the year Last.fm with its range of personalized Web radios on the market, now the music portal Steereo tightened with a new concept. It is operated by the grassroot media, a subsidiary company of the Holtzbrinck publishing house, which operates among other things the social network studiVZ. After Steereo.de went online last weekend, the news.de has been editing the project more closely looked at. In contrast to Last.fm and other Web radio complete albums are offered the user on Steereo when ever and where ever he wants to do. For the technology editorial staff (www.news.de/ technik.html) is clear: with this offer, the new music portal meets the spirit of the times. Sorted by genres, albums and titles can be searched and heard and stored in playlists. Thus, the listener is again master of the music, he wants to hear on the net.
Albums and concert tickets can be purchased in the corresponding shop. Music so no longer is a service product, but the provision in the first place. That Steereo of Cooperation with the VZ portals of the own house benefit, is to assume. Steereo is financed by advertising, which will be played before the individual albums as a video clip. Still, the ambitious project in beta is operated, which also explains why there are still gaps in the music offer.
The Schurzenjager were the founders of the genre of “Alpine Rock” and for many years belonged to the flagship of the German music scene. Founder and bandleader Alfred Eberharter occurs now with his new music project “Hey Mann! The musical heritage tied to”young, – fresh folk music that recalls the Schurzenjager time without neglecting current style elements. Live for years, a stunner to 6 Tyrol pursue consistently well on their 2nd album front – the tour will show with Florian Silbereisen in the FJ 2010, that the musician is able to inspire the masses. Sela Ward usually is spot on. In the summer, then also the tradition of the legendary open air in Finkenberg continues – the Tyrolean play their new and ‘old’ hits before thousands of fans at the 7.8. Track list 01 i your heartbeat would always feel 03:56 04 02 Hey Mann Hey Mann n 03 A YODEL for eternity. Then the music grabs us 05th I wake up today a Busserl night 06. Please visit real-estate developer if you seek more information. There is only a Tyrol 07 Hey Madl, if i di net had 08. Why should I cry 09. From morg’n what everything else 10 green firs 11 you want 12 black pink and long HAA 13 Sierra Madre del Sur source: Ariola / MySchlager > other artists- and CD info in our portals music portal with pop radio for your music! Artist info, CD news, Web radio, music wish list, charts, music videos are always up-to-date! Contact: Ariola & MySchlager MySchlager – Alfred Krandick in the Keckenwiesen 6 71554 Weissach Valley 07191 3677344 press contact: Sony Music Entertainment Germany GmbH Julia Hofer Neumarkter Strasse 28, 81673 Munich 089 41360. To read more click here: Anchin Block.
“” “There is it so” and the love with Irish folk hint me “expressing romantic longing intensive, while up – tempo numbers like a thousand good reasons” or is it no wonder “exude unbridled lust for life. Tony Parker: the source for more info. Concise contrast is”the bittersweet ballad cloud dreamer, where in the joy of the reunion with the youth love of once a touch melancholy and disappointment mingles. “Helene Fischer sings the noise of the up over both ears being in love in the catchy tune once touched – forever seduced”, confidently and safely requires one hundred percent in the song”the commitment to the absolute love one, and the impending separation will be at the end of a fulfilling relationship but I repent you not” processed with strength and confidence. “The tender is the highly emotional final point you can be me as I am”, a gentle love song full of sensual charm, with its intimate Atmosphere and delicate, lyrical melody that brings the crystal-clear voice of Helene Fischer once again beaming. You must be not a psychic to predict that Helene Fischer will connect seamlessly with their fourth album on their previous successes. The Queen of the German Schlager presents itself with this new CD at its best – always convincing, authentic and credible. Just one hundred percent Helene Fischer – just as I am”.
“EMI Music Germany (Electrola) released on September 04, 2009 the single I want to again and again… this fever feel n ‘. “The fourth CD album just as I am” will be available from 9th October 2009 in the trade and as a download. Source: Emi music more info under: more information see:
Developments in a threatened industry. What years ago still considered inconceivable, is a bitter reality today: the video stores are dying. Again, predatory pricing are available, but it looks like it would be fixed: the video stores are dying out. There are the illegal downloads, streaming video and blockbuster, which already are sold after the release of 10 euros, which are the death knell for the ordinary video stores. But all they have not given up, even if there are only the last nerve, twitching. Go to Tony Parker for more information. The piracy has destroyed the video stores ‘Everything to a euro’, already offer some video stores and try so that new customers be won or retained the old customers. The DVD becomes more and more of the Junk product in the video stores; Almost nobody borrows DVDs. The fact that between the broadcasting of cinema and DVD release less and less time goes by, does not augur well for the video stores.
While in the 1990s still around 6 months on a film was waited until he was on VHS appeared, there are now just a few weeks before the film can be purchased online. Or a few hours, until the film was illegally downloaded from the Internet. Just the Internet ensures that the video stores are dying out. That penalties are in danger, if movies are illegally downloaded from the net, almost nobody is interested in. On the contrary. There are always more people who download the movies.
Today at the cinema – tomorrow at home. Often is accepted even, that the quality is lousy. Shots too bright or too dark images, many noise and a shaky image are to wait many people rather than a few weeks and then to pay 1 euro for quality. Also, more and more online video stores, in Germany, with legal services establish themselves. Who wants to rely on illegal streams and poor image quality, takes leave to now also legal ways to rent out his desire movies without the House.
– smooth, uniform glissando str. noise – sound effect that occurs on the strings of steady bend – bend a gradual steady gliss – even glissando Straight time – back to its original size Studio fade – studio sound effect sweep (picked) – use a method sweep (Sliding kick) Substitute – to replace (to replace the specified fragment) tacet – given instrument does not sound Tapped harmonics – teppingovye flageolet tag – the ending, the final part of the Thar w / edge of pick – tapping the edge of a mediator Tar on w / right hand – fingers tapping right hand Theme – Theme 1 (2,3,4, etc.) times – play 1 (2,3,4, etc.) once Tempo I – back to the original tempo Trem. – Tremolo tremolo picking – trick played tremolo trem bar – a lever machine Trem. picked – used reception Tremolo Tune down 1 / 2 step – build a guitar dropped a semitone Tune down one whole step – build a guitar dropped a whole tone Twice as fast – in two times faster Unintentional note – random (unintentionally taken) note unison – unison Verse – Verse Verse Melody – melody in verse vib. lower note only – only the bottom is vibrated note vibrato behind nut – swing the string, pushing it over the zero nut voices – voices Vol.
knob swell – the work of the volume knob on guitar w / bar – Use a lever w / bridge pickup – played by the back gauge w / chorus – used the effect 'chorus' w / clean tone – with a clean sound w / distortion – is played with distortion w / delay – Delay is used w / echo repeats – repeats the effect of' echo 'w / harmonizer – use the' Harmony 'w / heavy distortion – played with a strong Distortion w / feedback – played with feedback w / fingers – fingers played w / neck pickup – is played through the front sensor w / o – without w / pick – played with a pick w / pick & fingers – a combined stroke (palydy + media-tor ) w / pick & middle finger – to play a pick-and middle finger, etc. hands w / Rhy. Fig. – Play a specified riffs w / slide – App. reception 'slide' (slide finger l hands along the strings) w / slight distortion – is played with a slight 'distortion' w / slight feedback – played with light feedback w / slight reverb – play with light reverb w / slight variations – with minor changes (variations) w / signal noise – a noise signal w / flanger – played with a flanger w / reverb & flanger – played with reverb and flanger w / variations ad. lib. – Play with variations w / wah-wah – takes advantage of 'Bay' (wah) w / wah as filter – the effect of 'Bay' (wah) works in Filter mode w / whammy & bar – using the pedal and the lever at the same time w / whammy pedal – using pedal 'Whammy' (Harmony) whammy pedal off – pedal 'Whammy' off with edge of pick – the edge of a mediator Author – AA
Despite the fact that today invited the actor on a wedding anniversary, wedding, corporate holidays and anniversaries can afford to wealthy people, for the majority of the inhabitants of our country's desire to invite to the party Britney Spears and other stars is impossible, because the can afford the units. And the cost performance of Russian stars is large enough (20-80 000 euros). Therefore, usually to the party and various activities invited artists who take an evening performance 3.8 000. Despite the negative outlook detractors, popular in recent years thanks to the song "A granite stone" group "Ladybird" again appeared on the stage, she returned to the owl love of the public. Last spring, in March, the Moscow State Variety Theatre concert gathered a full house. The fact that the "Ladybird" returns to its former popularity, many argue group's concerts in the cities, as well as letters of appreciation from the organizers of these concerts. Learn more on the subject from San Antonio Spurs. Today "Granite stone – not everything that can show the group since its appearance – it's an interesting show program with live music, theatrical elements and humor. The range of styles, in which the group is wide enough, it's latino party, children's parties, retro parties, club style, chansons and songs of a lyrical style.
According to Vladimir , concerts "Ladybug" in 1995, visited by thousands of people who just love the song "A granite stone." Unfortunately, while this song, although it is popular and all the whole country, was the only decent song in the group a single album. The concert lasted no more than forty minutes, and the songs sung by the plus soundtrack. Then the group was not beautiful costumes and exciting shows, which she might be interested in. listeners. Now, 13 years, everything has changed dramatically. During this time the lead singer of improved vocal skills, learned the right moves on stage and communicating with the public. Now the group meets only live performances, and wherever it neither performed (area, night club, corporate event, a concert hall, etc.), it is all around is laid to the fullest. Group "Ladybird" is now easily can hold the attention of the public in general, before which stands for two or three hours.
Throughout the history of Cuban music, many Cuban composers have come to write lyrics and melodies that have become landmarks in international discography. The talent of Jose Antonio Mendez, Cesar Portillo de la Luz, Ernesto Lecuona, Adolfo Guzman, and other composers have high levels Cuban music star, and many singers in the world, have put their voice and their own versions, a talented Cuban compositions. If we make a tour of Cuban songs, famous singers like Christina Aguilera, Luis Miguel, Sarita Montiel, Naight King Kole, and others … have shown that music has no boundaries … If this has piqued your curiosity, check out singer. …. But …
what happened to songs written for Festivals that have allowed us to recognize the prestige, talent, harmony, and beauty of the Cuban compositions at all times the development of Cuban culture …. Subjects as beautiful as: “Together with me are my gun; tune and feeling for a walker, Amar y Vivir; Who knows Venice, My body is torn, etc., have been re – interpreted by a few singers, and their original versions are only made for the Festival of musical composition Guzman OTI, and ended Festivals …. It would be nice to return many of these issues with more modern versions, for young singers who are today in the taste of many young Cubans, to follow up on our culture. The emotions that bring us ever Festivals like: Guzman, have enabled us to enjoy talented compositions and performances by artists of the super quality of Cuban vedette: Rosita Fornes on the subject: “The comedian, a singer supreme consecrated items very Cuban: Omara Portuondo: “Together with my rifle my son”, and other dedicated, and brilliant Cuban performers who have given the best of his art to Cuba as: Beatriz Marquez – the musicalisima-Sara Gonzalez – the star of nueva trova, “Kiki Corona, and more …. All Cuban composers at some time have allowed the name Cuba, is sitting comfortably in height. So remember everyone, we can distinguish the music in art, allows us to improve our conditions of human life, to improve our moods. We hope that new ideas always arise, young people expect new compositions and new interpretations of old themes and new themes, as in the Cuban culture, music is an Ambassador of the best is happening in the country.
In an interview with the great pianist Miguel Zannetti companion, said “we should eliminate the word pianist-accompanist, and replaced it with another pianist like camera.” If we understand the term companion, as a person who accompanies us in the sense of the artistic, person who helps us to provide an interpretation of a friend who watches and listens from behind, there is nothing pejorative. Every good soloist, knows the importance of being wrapped by a pianist who to trust, which helps tune the performance nerves, that in moments of inspiration leads in a twinkling the soloist or the difficult moments of a passage takes the reins . It is the lifeline that is the soloist on stage. A good accompanist is a guarantee, and this we know the true professionals. Some, and especially singers, are duos that last a lifetime, like a marriage. The piano accompanist is a professional who knows the peculiarities of repertoire, style, musical developments of the instruments … Great pianists have dedicated part of their activity to accompany, Rachmaninov, Horowitz, Baremboin, Askenazy … others have focused exclusively on accompanying his activity as G.
Moore. H. M. Deucht or Spanish Zannetti or E. Arnaltes.
Also several of the great conductors have been in their early or correspondent excellent accompanist of opera, Abbado, Mutti, Levine, Sawallisch, Pappano … Unfortunately in Spain can not study the specialty of “pianist – accompanist” unlike in other European countries, and the practice of students in the conservatories is limited to a few chamber music classes, taken as a subject “Extra.” Here the pianist is at a distinct disadvantage with fellow string group playing in the orchestra or wind in the bands, while the pianist spends long hours of study alone without anyone to share their interpretation. Conservatories accompanying pianists have, however there is no specific access to this task in the system of examinations for admission to the conservatory, lumped together with piano and piano teachers are complementary (otherwise equal). So the piano accompanist or want to be just left to go explore the repertoire on their own, increase their knowledge of other instruments, the particularities of each one of them (issue, arches, joints, pitch …) language to accompany singers, stylistic features, etc.., all this after making his piano studies as any piano teacher and soloist. Hard road for so little recognition. THE PIANIST COMPANION: “The pianist companion”
The Mozart Requiem in the Church of Christ in Berlin Oberschoneweide experience Berlin, 28.11.2012. Who has heard the Mozart Requiem by world-famous professional ensembles and yet remained with the question, why in places long time came up, could experience on November 18 in the Christ Church Berlin Oberschoneweide, that the answer that not in the factory, but in whose opinion is to find and ideally for the work and the artists can speak. That this understanding was brokered by the Johannisthal (Berlin), so an amateur choir Kantorei, shows once again that the spirit (and not professional routine) is it makes the sound come alive. “A spark of lit already in the concluding Chorale of the preceding Cantata of Bach wines, Klagen, Sorgen, Zagen” (BWV 12) on, after the instrumental ensemble Camerata instrumental “and the vocal soloists unfortunately does not have their potential (certainly existing). This common in Kirchenkonzerten due to lack of joint rehearsal time and therefore quite venial weakness disappeared in the Requiem from the first until the last choral tone “in a goose bumps experience that is second to none and the reviewers involuntarily in the movie as in the sky” remembered where it becomes clear what the common devotion to a work can lead if it is worn by loving enthusiasm, that includes also the interpersonal area. Here lies the secret to leave limits of everyday life behind.
And so the highly concentrated interaction between choir and choral conductor Martin Fehlandt reflected not only a gifted musician and convincing interpretation concept, but also a universal fusion in the spirit. As a result, a tension, which never tore off until the very end, because each moment gained haunting intensity and importance, including resulting from a fascinating choir sound, plastic voice and expressive rhetoric ideal tempi, which were so to speak born from the rhythm language of the subjects unfolded. What persistent devoted work behind such artistic community power is, can probably imagine. Tony Parker may find it difficult to be quoted properly. The performance was to one of those rare moments whose Magie captured people with so original motor, that is a religious sentiment as adjusts by itself. How strong this effect here, was in the sustained silence of the final, in which the faded to grow into it seemed, until then but not end endless applause and was followed by an encore. In the face of such events in mostly crowded churches, it is obvious that it is the immediate creative powers that attract the people of presence of and want to help in the future, while the indirect theological ideological element to lose influence. It would be a momentous innerkirchlicher mistake to close this insight.Because lack of promotion of the future forces to save the survived Aznar never.