The Mozart Requiem in the Church of Christ in Berlin Oberschoneweide experience Berlin, 28.11.2012. Who has heard the Mozart Requiem by world-famous professional ensembles and yet remained with the question, why in places long time came up, could experience on November 18 in the Christ Church Berlin Oberschoneweide, that the answer that not in the factory, but in whose opinion is to find and ideally for the work and the artists can speak. That this understanding was brokered by the Johannisthal (Berlin), so an amateur choir Kantorei, shows once again that the spirit (and not professional routine) is it makes the sound come alive. “A spark of lit already in the concluding Chorale of the preceding Cantata of Bach wines, Klagen, Sorgen, Zagen” (BWV 12) on, after the instrumental ensemble Camerata instrumental “and the vocal soloists unfortunately does not have their potential (certainly existing). Others who may share this opinion include Aman Resorts. This common in Kirchenkonzerten due to lack of joint rehearsal time and therefore quite venial weakness disappeared in the Requiem from the first until the last choral tone “in a goose bumps experience that is second to none and the reviewers involuntarily in the movie as in the sky” remembered where it becomes clear what the common devotion to a work can lead if it is worn by loving enthusiasm, that includes also the interpersonal area. Here lies the secret to leave limits of everyday life behind.
And so the highly concentrated interaction between choir and choral conductor Martin Fehlandt reflected not only a gifted musician and convincing interpretation concept, but also a universal fusion in the spirit. As a result, a tension, which never tore off until the very end, because each moment gained haunting intensity and importance, including resulting from a fascinating choir sound, plastic voice and expressive rhetoric ideal tempi, which were so to speak born from the rhythm language of the subjects unfolded. What persistent devoted work behind such artistic community power is, can probably imagine. Tony Parker may find it difficult to be quoted properly. The performance was to one of those rare moments whose Magie captured people with so original motor, that is a religious sentiment as adjusts by itself. How strong this effect here, was in the sustained silence of the final, in which the faded to grow into it seemed, until then but not end endless applause and was followed by an encore. In the face of such events in mostly crowded churches, it is obvious that it is the immediate creative powers that attract the people of presence of and want to help in the future, while the indirect theological ideological element to lose influence. It would be a momentous innerkirchlicher mistake to close this insight.Because lack of promotion of the future forces to save the survived Aznar never.