To get the power levels of the order of 2500 W / 4 ohm amplifiers must produce peak output voltage of 180 … Learn more at: Tony Parker. 200 V. After a period of intensive research, developers Oupaso concluded that at present the above requirements with the existing hardware components can meet only two classes of power amplifiers: Class 'O' and Class 'H'. As it is obvious, but the hardware settings largely determined by its elemental base. Therefore, the main problem of modern amps G-Class – this is their dependence on the nature of stress response, which can not be overcome by existing hardware components and topology, Specifically, the output filters. Also, with all the advantages of class cardinality, its circuit solutions so far do not provide low distortion (especially at high frequency) and absolute reliability. All these problems lead to the emergence of sound coloration amplifiers of class, especially at low power levels. Linearized push pull stages, working in the classical topology 'H', can provide output power up to 1.5 and kVt/40m more than one year are used in the production of power amplifiers Dynacord. But the 'pure' class 'H' has its limitations – for the output stages require transistors with breakdown voltage collector-emitter in the 250! Exceeding it even for a short period of time leads to the inevitable breakdown of the transistors. Use to solve the problem of exotic transistors ike = 350V – not the most reliable solution, since in this case, the output stage operates close to its limits opportunities.
After the collapse of Till Eulenspiegel in 1999 were formed into two groups: Wind and Water Mill. The band's name originates from the name of the Irish countryside Gwee Dore, which translates as 'wind water'. The group was founded by Dan and Skuridoy Maria Larina. Vanessa Marcils opinions are not widely known. In addition, they also participated in the group mill until 2002. The musicians themselves prefer to be called the year of foundation staff in 2000. All the music of Wind Water can be divided into two themes: European and Slavonic. Songs of European subjects – a medieval music (for example, such as the Irish) in the author's treatment of the group. Please visit Gina Bonati if you seek more information.
Slavic subjects presented musical compositions based on Russian folklore and richly arranged. All this became possible thanks to the excellent knowledge of these two trends Larina Maria and Theodore Wind, as well as talent, team leader – Dan Skuridy. In 2002, Waters released the Wind Combined CD. It is called the Gaoth Dobhair. In addition to the music tracks it also includes videos, photos and other useful information. In 2005 saw the release of first full-length album, Wind of Water – pandemonium. It includes 16 Tracks Slavic subjects. In autumn 2008, to be held out long-awaited second album, titled The Whirlpool of Time, which will be present and the European program.
So fans of romantic pop can recommend to listen to all your disks and select the sort of find "their" song. Or collection. Or how it goes. What will enjoy both, and not call from the memory of rubbish. And also keep in mind about the topic influence of music on living organisms. For example, cows in pop music is depressing – they refuse to eat. From some of the songs, even the flowers wither, for this reason, keep the measure.
At the amateur jazz of course. Despite the fact that such a lot of fans, not necessarily what your partner will be in their ranks. Opposers of jazz take his messy set of sounds, which sounds annoying and inharmonious. For this reason, if you are a lover of jazz, and your partner – no, nothing good comes out of the ideas will not work. However, the sample can include anything from the classics of the genre, Louis Armstrong, Ella Fitzgerald or. Very classic a good choice. Some of Beethoven, Vivaldi, perhaps even Wagner, but not remixed version, as it can perekoverkat even works of genius.
Scientists everywhere have come to the conclusion that classical music good effect on the cells of living organisms. That's from her just everything blooms and fragrance, and classical music in Arizona even cure baldness. With it you even get rid of excess weight, addiction to alcohol and smoking. In while tapping classics brain is not distracted by the word, the reason to push myself to drive do not have to sing along.
Going forward, while not align pin on the intact side verbilbanka, its end surface, he further breaks down a seat at the top, thereby increasing its diameter. If this operation section of the difference between "native" and repair small groves, then in the subsequent setting up the piano, she can not provide a reliable friction. Withdrawal from the pin significant difference sections of "native" chopping at scoring will "resist" and as a consequence, it is possible deformation. The tuning key on it just does not nalezet. There is also a danger that the super-powerful pressure created with the new scoring repair chopping, with a large difference in cross-section of the "native" will not allow full adjustment tool later, as the Adjuster will be difficult to "catch the desired sound." More One of the caveats, pocketing repair peg with significant difference in the cross section of the "native" chopping, it is likely to break even when you set it, because it is made of sufficiently strong, but brittle material.
I Not to mention what the breaking load tests in this section and verbilbanka. I consider it possible to share one more to their supervision. Very often seen that after plugging repair groves, adjacent, side by side, as a rule, do not build. This is especially true of the small octave range, where the pegs are located closest to each other. With high confidence, we can assume that in this case we have already partial softening of the individual layers verbilbanka, even at a considerable distance from the considered chopping naturally reduces the functionality of multiple, adjacent pins.
In addition, immediately after writing the next article I plan to post it on your site. You can find them in the page. A post content on the pages electronic publications, directories, partner sites and guess after a while. The logical construction of the series "The creation of new songs and music" Thus, starting from the "technology" and of making music and Please, realize and experience I have in 23 years composing, I plan to go to identify problems that hinder the creation of beautiful new music and its promotion to a mass audience. Then look forward to offer their vision of options out of the situation for ordinary fans, and for songwriters and music. As one of these options, I want to describe their experience in creating, promoting and arranging songs and music in comparison with others and depending on the goals. A series of articles "The creation of new songs and music" will be interesting and useful: For people wishing to become sponsors of new songs, new music I hope that the series of articles will be interesting and useful first all the creative people who want to become authors of the new songs, new music (especially the young, novice). Those wishing to join the excellent, good, eternal combination of philosophical comprehension of the situation musically art and show business with my own eyes "inside", as a songwriter and composer, can provide food for thought for people who sincerely anxious state of musical culture, who want to involve our people and join themselves to the beautiful, good, eternal, to make people better, more beautiful and inspiring.
A half-hour composition 'to share with me' on the poetry Marcinkevicius was like an instant. It was an amicable monumental and pathetic. Then it was the second branch. Best Song 'Dialogue' – 'Cricket', 'Just', 'All flying', 'Eurydice' and many others, the remarkable verses Pozhenyan, Levitansky, Kirsanov, Tarkovsky … I listened, I listened, I enjoyed …
I can not believe that for the 'Dialogue' it was only scheduled concert, a normal job. Sorcery and magic flowed into the room continuous flow, together with excellent music and stunning visuals. In one dramatic moment was the feeling that the musicians are knee-deep in a steaming hot blood, and it is a leisurely stream flows into the room. I a shock. This concert was undoubtedly the best of all, that I have ever seen.
Such passions, such skill, honesty, and just such a technically strong show (at the time just fi) Philharmonic Tula scene not seen to this day. I am convinced that even now, 20 years later, after all, all that was, if this concert would have gone (with the then young musicians and then the equipment), it would be however zlobodneven and interesting. I do not want to think about contemporary Breitburg, writing songs for Bori … Moses 'Red Poppy', the 86th year. Say at once that the 'Red Poppy' 70's and 80's – two very different groups. In the 70s it was the usual VIA: "Whirling disk", something … Official and anguish. In the 80s it was a vibrant, stylish group.
Collected in the pile are a few tips for beginners groups. Very good advice that can help beginners. And people who already experience with presentations, these tips will not be superfluous. I think many will find something useful for themselves. Just sometimes some things do not even think about it, but they are the primary basis for success. And if there is a desire to succeed, there must be a desire to improve. Read tips and apply them in practice. 1.
Remember that on the scene you get out in the first place for the viewer. Therefore, your contribution must be calculated on it, and not on the illuminator Valera. Try to do so, what would your music came to his mind. For myself, you have time to sing in the shower and play during rehearsals. 2.
Very carefully prepare for his speech. Wisely and well the list of songs and your appearance. Both should always be subject to a concert. Would be foolish to play among the punks songs "Tender May" or at a gala evening to come in shorts. Agree. 3. Your presentation should be rehearsed and learned to 100%. There should be no hitches with lyrics and chords. The technical part has to be worked through automatism that would address in more attention and focus on the emotional side. 4. During his speech, keep in touch with the audience. And not just "Hi! How are you doing? ". You need to show the audience that came to play it for them! Nobody likes musicians who act sluggishly and go on stage just for that would show your phone number and leave.
Good day, dear readers! Today, my article on how to learn to play guitar without having any musical education, nor even any initial information about how to do it. On the Internet There are countless Web sites and portals for guitarists, where you can download a variety of school sports, chords, tablature, and so on. But what if you do not know how to read tablature, and generally how to keep the hands of a guitar? In this article I would like to highlight the following points: 1. Landing guitarist 2. Statement of the hands. What should be the landing of a guitarist? Of course, planting should be such that does not deliver discomfort during the game: your fingers can easily and quickly navigate through the neck. For this to happen, one leg above the other, so that it can be convenient to put a guitar.
Some put it to his legs. What is uncomfortable? The fact that, firstly, in this case have little to support the guitar with his hands, and secondly, could cause discomfort in the legs during the game. It is best to still use any stand under the left leg (Do not blame me for being too academic, but still, in the classic landing there is a lot of good) – in this case, you can generally find a position the guitar, which she herself will stand on your feet, and it will not have to hold, plus there will be no negative feelings. Need to keep your back straight. Now a bit about setting the hands. Here and below, I will parse the statement of hands on playing acoustic guitar with your fingers (as article is addressed to those who are doing this only the first steps). The right hand should be free, without stress, the body lying on the guitar.
Slightly curved downwards at the wrist wrist rests his fingers on the strings. If a game will occur voltage, then there is an error in setting the hands, and they must be eliminated. In the arrangement of the left hand, there are two options: classic and more modern setting. The classical statement is as follows: arm hanging down perpendicular to the neck, the thumb is approximately the middle of the neck, the fingers slightly bent and pressed against the string is perpendicular to the front surface of the neck. Traditionally, the classical formulation is more convenient in terms of speed of movement of the hands of the neck and jump from string to string. Modern production is more common and is characterized in that the thumb of “peeps” from above the neck, with the hand not hanging down, as in classic. Such a formulation is more convenient in cases where the play had to stand at a concert. I recommend to combine one and another kind of setting for maximum comfort while playing. Also need to make sure that when you play the left hand are not strained. Following these recommendations, you will learn more deliberate play on the guitar and learning the game will be much nicer. Do not stop there, move more!
Humor in these compounds becomes irresistible, the lyrics, while remaining simple and heartfelt. becomes elevated features. For the composers of the 20th century, the question of authorial style and its specific incarnation, the musical language is one of the most critical: because of an overabundance of musical information, stay in the ear like a prisoner already created all the music find its own it is very difficult. Here, there, in my view, three main ways: First, the path of following the practices of a national musical language. Second, the creation of his own musical language with the greatest distance from the existing ones. Finally, the third- creation, so to speak, "meta-language" using methods and means of all known "muzyk2 as signs, symbols. terms of composing musical vocabulary. Naturally, these paths are in a real composer practice often overlap.
And yet, speaking of trends, Gladkova undoubtedly can be attributed to the artists of the last, the third channel. In this way avoid eclecticism can only bright personality. that can rightly be say about Gladkova. The intrinsic nature of the composer's talent, encouraged to support a means for his music virtually unhindered contact with the listener. This is a stylization. It performs a variety of functions, from the grotesque, from the witty and sly parody to the hidden author of the lyrics, hidden under a mask as if indirect lyric depicted characters.
The last detail is important: an unusual lyrical gift of the composer is personified in the form of fairy-tale heroes, heroes of different countries and periods. Many of his style with this flirty self-portrait at the same time bear and seal the author's distant smile. Enough remember the scene of the king and courtiers of the story "In the wake of the Bremen musicians or charming duet," Ah, madam, "a television movie of" ordinary miracle ". On the other hand, it means you can style as would allow themselves in our rational age Sami express different emotions without fear of seeming sentimental, naive and ridiculous. Democracy of his music is one of the most remarkable of its qualities. He was not simulated, do not. He based on assimilated hearing musical means of expression, which is far from exhausted. For example, the tone. in the skillful hands tone remains on the set of colors, subject, yet less. modal logic semistupennoy system with a strict hierarchy of functions. Or harmony. All luxurious harmonic innovations of the composer's built on a strong classical base. You can take any work Gladkova. take off melodic and rhythmic pattern of leave-frame harmonic skeleton: get excellent chorale. It is amazing ability to convey the composer's music polutonalnost emotional psychological state. Any feeling, expressed by the composer, it is not just recorded music-emotion condition, and like crystal, rotating to different sides of the listener: that joy, doubt, hope, desire … His music can be likened to a living organism: breathing, developing. changing every second. How to write an outstanding musician and composer Boris Asafev. To be "in modern music, while good to hear. accessible – not in the vulgar sense of the word, destiny few musicians: it is extremely rare talents … "These words can be attributed entirely to Gladkov, for his work with highly professional and accessible, open, addressed not to and a handful of the crowd, but each of us. He creates the music is easy and natural as breathing. Her life is as comfortable on the plates and screens. in the fresh air and the train the train, in kindergarten and in "serious" institution for the stage and concert hall.
Craig quite naturally considered a protege Derrick May. This man noticed and appreciated the creative potential young talent. As a student at Detroit College of Henry Ford, Craig brought the very first records that have already termed the term "techno". Being a strong impression of Nude Photo Rhythim is Rhythim and The Groove Suburban Knight, Craig does not hesitate transferred to the department of electronic music and bought his first home synthesizers, and money on a drum machine he lacked and he recorded his first work without rhythm. In 17 years, Craig plucked up courage and wrote to tape some of his works to convey Meyu Derrick, who was delighted with the Neurotic Behaviour. May realized that he was dealing with an extremely talented person and took him under his wing and offered his assistance in recording some tracks.
Working together in the Metroplex Studios, they overwrite some of the tracks, and the Mae added to this work a rhythmic pattern. Almost simultaneously with this work, Craig, released under the name of Psyche on Transmat label plate Crackdown, and under BFC nickname on the label Fragile plate Galaxy – it all happened in late 1989. Both plates bombshell in the camp was still not numerous techno music fans. Almost immediately after these plates Craig started (with Damon Booker) (born Damon Booker) where the label has released several RetroActive quite remarkable, LPs – Wrap Me In Its Arms, As Time Goes By and, under the pseudonym of BFC, one of his best work Climax (which in 1995 came in the form of third another single of his project Paperclip People).