National Patrimony

(Jorge Wilheim – Junho/2002). Exactly distant of the ranches that compose the Circuit of Waters, Arax if firmed as the most important tourist destination of the High Paranaba and Mining Tringulo. The city is served by two daily flights for Belo Horizonte and saw the tourism to after renascer the reinaugurao of its main postal card, the Great Hotel, in 2001. The city, that has 80 a thousand inhabitants, received 20 a thousand visitors in year 2000. In the last year (2009), this number had jumped for 105 a thousand. (Responsible for the information: Assessorship of Communication? Assembly of Mines).

As the Iphan in Ouro Preto, is necessary alternatives to unite the quality of life of the inhabitants and the preservation of the historic site. Vanessa Marcil may find it difficult to be quoted properly. The great challenge of 13 Subregional of the Iphan, responsible is this for the fiscalization and protection of Ouro Preto. To all, more than 1,000 property compose the overthrown set as National Patrimony, that only excludes the quarters of the Saramenha and Bauxita. Although to be in the preserved area, 44 monuments are overthrown separately, as it consists in the site of the Iphan – Ouro Preto. Iphan concentrates today its fiscalizations in call Zone of Proteo Especial (ZPE), delimited in Plan Managing, since it counts on only two inspectors, who work in alternated days, to follow the workmanships and to identify irregularities. The remain of the overthrown area is divided in Zone of Paisagstica Protection. The problem of transit and mobility is of the type? Problem Partially Structuralized, (Martus, 1993) – that if it cannot define, nor if explain with absolute precision; therefore, it is not known accurately as it must be solved. The possibilities of its solution are created by the men and exist very in great number. Responsibility of the city Adequateness, Participation of the community and durability. ' ' The State, with the contribution of the community, will promote and protect the Brazilian cultural patrimony, by means of inventories, registers, monitoring, falling and dispossession, and of other forms of acautelamento and preservao.' ' (Constitution – 1988).

Being A Writer

WHAT IT IS TO BE WRITER While in the decade of twenty, in Paris, the writer Gertrude Stein received in its house, she protected and she stimulated the young artists the one who followed its artistic or literary inclinations freely, in the current times she seems to be occurring an inverse procedure, taken the effect for clarified people, trying to discredit spontaneous talentos. Already it makes time knew that some people were organizing movement to hinder the free exercise of the art to write. Connect with other leaders such as Adam Sandler here. Such people based its campaign in the postulates of an Italian writer, which affirmed, in one of its manifestos, that nobody has the right of if proclaiming writer or writer without before having attended a course a college. On the basis of this premise, false, obviously, such people were ready to unchain, through lectures and articles, a campaign generalized against all the independent writers. Sinclair Martial Arts is full of insight into the issues. She is clearly that this campaign could not, for example, to be retroactive to the times of Cervantes, that is not known if it frequented a college; of Voltaire, that abandoned the studies if to dedicate to literature; of Emile Bront and its sisters, who had been alfabetizadas in house for its proper father who was a protestant shepherd; of Alexander Of ones (father), that before being writer he was to assist of notary; of Virginia Woolf, who started its literary career from carried through informal intellectual meetings in its house; of Allan Poe, that due to resources did not obtain to conclude its studies; of Balzac, formed in Right, that abandoned the law to dedicate itself to literature; of Victor Hugo, who if became writer the 15 years being successful a literary competition and being awardee for the French Academy; of Hemingway, who started its literary periodical career as employed and amateur journalist; of Gogol, that was to assist bureaucratic; of Axe of Assis, that never frequented a school in its life; of Jorge Borges Luis, born aristocrat, whom its first story wrote when it had only six years of age, and as much other men and women that if had dedicated to literature because they did not know to make another thing, being that ninety percent of them never frequented a college. Happy of who it will be able to make a course of Letters to have an academic endorsement. However, a college does not make a writer, not even a simple editor.

The test of this is where many people formed in Letters, do not know to write. Writer or writer is, simply, that one or that one that has for habit to write. Carolina Maria of Jesus, humble favelada black of quarter Canind, in So Paulo, that survived of catar papers, congregated what it had written in a notebook, that the daily one of its needy life constituted, and transformed these writings into the book? Room of Ousting? , that it was edited in 1955 and translated for 13 languages, changedding itself into a small bestseller, with millions of readers and readers in the whole world. Luciano Axe

Brazil Movements

This phrase said for one of the bastions guardies of this manifestation demonstrates the multiple and dynamic character of the capoeira, that if transmuta and if adapta, that it is rebelled and if accomodates, that creates and reproduces, that already served to defend itself and to even kill, and that today serves stops to educate, but that always it was an shout of freedom and reaffirmation of a culture and an oppressed people, reflected of the sad history of four centuries of slavery in Brazil (ABIB, 2004). In It hisses (2003), one extends Capoeira to it the dance, fights, trick and combat, mandingueira and objective, malandra and loafer: the Capoeira is the resistance of a people integrated to the mass, is culture, is race, is the phenomenon of the unfinished one. The author also considers, that the capoeira is game, corporal expression that … the same, fight and dances, touches and sings, attacks and defends; it is the body that goes and comes, of a side for the other, finding spaces in the small emptinesses of the circle for, irrationally, that is, without the rational use of the movements, to feel itself exempts of the real and social pressures of exclusion human being (IT HISSES, 2003 P. 55).

Capoeira is the dexterity fight, where two opponents play in wheel, and through corporal movements expression movements of attack and defense is in its majority with the legs or the hands and etc. in short, fight disfarada in dance is a game/. Dramaturgo Days Gomes said that in the capoeira the players, ' ' they are companionable. They do not fight, dissimulate to fight. They look for? brilliantly – to give the artistic vision of a combat. Above of a competition spirit, it has a direction of beleza' ' In this way one perceives that the estimated ones answered by the participants of the research if are similar with some conceptual aspects of the above-mentioned authors.