This project has as objective to analyze the story, the face, of the workmanship the man of two heads, of Almeida Fisher, that has as main personage a doctor and narrator, who express much love for its son, but that it is felt incompreendido by the commentaries of the people in relation its life. It is a history that tells the thought of this personage, a half thought that confused and that involves the reader through the mystery and that is only unmasked to the end of the reading. This project contains important comments regarding literature, which its importance, and what it influences in our lives through the importncias of the text in question, and that it will be able to serve as source of study for interest of other students. 1,1 JUSTIFICATION the story, the face, of Almeida Fisher, is a workmanship that has one weight tragic for if dealing with the envolvement of a child, is interesting and emotive, but at the same time dreadful, is what it calls more attention and it surprises the reader, becoming the intriguing workmanship. The narrative if initiates with the thought of the doctor, inquiring that it understands nobody it and that all are judging to it, tells of as if feels in the environment where is, it perceives the friagem of the brutais gratings separate that it of all, the people say that it is lying and he does not say ‘ ‘ thing with coisa’ ‘ , but it answers that it can believe its reality and not the one of the others.

literature, script, theater, cantigas that ‘ ‘ Face-of-Bronze’ ‘ it can be read as transemitico and transgenrico text. For this analysis foramutilizados, over all, the concepts of transtextualidade, Gerard Genette; intersemitica detraduo, of Roman Jackobson; of transcriao, Haroldo deCampos. For the accomplishment of this comparative analysis between narrativa’ ‘ Face-of-Bronze’ ‘ a cinematographic script also was used, as base, the theory on scripts, of Doc Comparato, gift in books Script: etcnica art to write for cinema and television and Of> creation to the script. Nesseslivros, Comparato establishes differentiations between the literal sorts that seapresentam in the rosiano transemitico text, ' ' Face-of-Bronze' ': the narrative and oroteiro. In this study they had been also used, as base for the analysis, theories on the audiovisual sign, as Images of the Great Hinterland, ArlindoDaibert; The specular illusion: introduction to the photograph, of Arlindo Axe; Obvio and obtuso, of Roland Barthes. Finally, in what it says respect to ediode videos and films, of texts on techniques of filming and history docinema, of the television and the video, texts had been used as What it is cinema, of Jean-Claude Bernardet; Introduction to the cinema, of Jose Eustquio Romo; Cinematographic Alinguagem, of Marcel Martin; The process of creation in the cinema: research of audiovisuais language and structure, John Lawson; of the imaginary clssicoMquina and, Arlindo Axe.

Word-key: Pink Guimares; the duel, long-metragem colored. In this exactly year, Pablo Thiago also launches literary the Acriao video in Pink Guimares Joo who together with Of the hinterland aobeco of the Lapa, directed for> Maurice Capovilla in 1973, and the GuimaresRosa Joo, of 1968, will give to the bases for the videogrfico text of Fernando Sabino eDavid Snows, launched in 1975 for Well-you-Vi Films: the Veredasde set of documents Mines. Mining Cabaret, launched in 1980, was directed porCarlos. the P. Leather strap. Still in 1980, Helvcio Ratton directed a biography Pink deGuimares intitled Short Pink Joo, of approximately trezeminutos.