Endorsers (from the English. Endorcer – supporter) – musician, playing a musical instrument of any particular firm, sometimes under the contract. For the musician it is a way to demonstrate the quality of his instrument and play, and for manufacturer – a confirmation that her instrument musician prefers to any other. Guitars lag, pre-existing only in the collections of wealthy musicians, is now much closer to everyone. Whichever style you choose – in the lineup lag guitars there is always the right tool, whether it's 'blues' Roxane, or extreme Arkane. Endorsers lag – a well-known professional musicians, performing music in different styles, but always with the lag. Peter Doherty – Babyshambles Peter Doherty – a cult figure of the British show business. His music – part of the punk rock group The Libertines, later in his own indie project, Babyshambles, or as a soloist – always an event in the music world.

And wherever he played – everywhere with his guitar lag. Phil Campbell – Motorhead legend guitarist, one of the most charismatic British hard-rock bands. Speaking at the Motorhead in 1984, Phil for many years is an endorser lag. Charles Hedger – Cradle of Filth Charles Hedger – a recognized guitarist, vocalist and composer in one of the world's most famous teams Black Metal – Cradle of Filth. Official endorsers lag since April 2007. Chris George Chris George – the leader of the rock band Chris George Band. To its own project, he worked with famous musicians – Nicko McBrain of Iron Maiden, Greg Ridley of Humble Pie, Bernie Marsden from Whitesnake.

Marion – Brunette. Marion is no stranger to music: she sang in a group consisting of 5 men – Try-Out. Their first cingl 'Wanna Get Up'. At that time, as Romy and Marion joined 2 Unlimited, most tracks on the new album was already completed. Romy and Marion could only sing in the vocal parts.

But there remains a big question Can new 2 Unlimited ucpeha climb to the top like an old 2 Unlimited Let's wait! It remains a fact, but the first will always be the best in the dance world! 20th April 1998 – new album 'II'. The album just exudes flow eurodance, so fans will not be disappointed! 'Never Surrender', 'I Am Ready' and 'Be Free Tonight' very zaboristye, and 'Closer 2 U' is an excellent jungle / Drum & Bass! 'The Edge Of Heaven' (Future Trance) is the second cinglom c new album, and he confirmed that 2 Unlimited still is a trademark of techno The third single hi-nrg Future Trance 'Never Surrender'! January 1999: Romy announces that it goes from 2 Unlimited, so do career! She has already received several offers from record companies. Most likely a new vocalist (male or female) will be brought to the group. However 2000: Marion is also leaving because of disagreements between her and producer Jean-Paul de Coster. Currently, under the name 2 Unlimited issued only remixes of old hits and Still the first will always be the best! Discography: Get Ready For This – 91 Euro House Twilight Zone – 92 Euro Techno The Workaholic – 1992 Euro Techno The Magic Friend – 1992 Eurodance No Limit – 93 Eurodance Tribal Dance – 1993 Eurodance Faces – 1993 Eurodance Maximum Overdrive – 93 Eurodance Let The Beat Control Your Body – 1994 Eurodance The Real Thing – 94 Hi nrg Euro No One – 1994 Upbeat Euro Reggae Here I Go – 1995 Eurodance Nothing Like The Rain – 95 Euro Ballad Do What's Good For Me – 95 EuroDance Jump For Joy – 96 Hi nrg Euro Spread Your Love – 96 Euro Trance Wanna Get Up – 98 Eurodance The Edge Of Heaven – 1998 Future Trance Never Surrender – 1998 Future Trance No Limit 2000 – 2000 Trance Expected: Twilight Zone 2000 – 2000 Trance

characteristic harmonic passages, well-defined texture. and here composer, without changing the principle of "to be understood at once" often comes at the most. seemingly unexpected connection of elements of various genres. This applies to all components of the musical fabric. For example, he readily synthesized intonation genre with "high" genre, or, conversely, uses intonation fund high genres in the context of domestic genre.

Humor in these compounds becomes irresistible, the lyrics, while remaining simple and heartfelt. If you have read about Margaret Loesser Robinson, already – you may have come to the same conclusion. acquires elevated features. For composers of the 20 th century the question of authorial style and its concrete embodiment, the musical language is one of the most critical: because of an overabundance of musical information, stay in the ear like a prisoner of the whole is created music to find their own speech is very difficult. Here, there, in my view, three main ways: First, the route of traditions established in the national musical language. Second, the establishment of their own musical language with the greatest distance from the existing ones. Finally, the third to create, so to speak, a meta-language "using the methods and means of all known" muzyk2 as signs, symbols. terms composer's musical vocabulary. Naturally, these paths in a real compositional practice often overlap.

And yet, talking about trends, Gladkova certainly can be counted among the artists of the last, the third channel. In this way to avoid eclecticism can only bright personality. that can rightly be said about Gladkova. The characteristic nature of the composer's talent, encouraged to support a means for his music almost seamlessly communicate with the listener.

If nothing happened – you can always erase and "Caught" once accidentally punch line, a musical idea can ever permanently poteryat.Esli got something of value, listen to it again and again on the subject that you like whether it yourself and if you can not remember other well-known songs, music with a similar melodieyPosle necessarily listen to several times made the recording. If in the process of listening to their records, or directly during the creation of music or songs spontaneous creativity, improvisation, you have realized that to get something valuable, listen to it again and again for that, like whether or not it entirely, or some place you own, if you can not remember the other famous songs, music with a similar melody. If you do not like your work, or you find something similar – start all zanovo.Oformite liked the music, the songs in a digestible format, improve, strengthen and develop eeEsli as your product or part you like and you have not noticed the plagiarism, try to arrange your favorite piece in a more or less digestible format, improve, strengthen and develop it. For example, if there is a basis for melody, play it on the synthesizer for accompaniment, compose verse for the song created music, sing this verse with a guitar, create a music track on your computer, etc. etc. All depends on what skills – musical instruments, vocals, computer-based music editor – you vladeete. listen to the recording or live performance of your musical works of his close lyudyamDovedite best (with your point of view) your music on their own to the highest possible quality, record to a physical medium. And then offer to listen to or record, or the first live performance of their loved ones, asking them to give unbiased, objective, without flattery, but without undue criticism appreciated.

Be sure to ask them whether they like your music, what it is like your work. Often strangers quickly discover plagiarism, as their ears are not "zamyleny. If this test is successful – to expand and Diversify the range of students, given their critical comments and suggestions. If not – all snachala.Esli none of the listeners did not detect plagiarism and some of your music is like – you can compose music (song) Once out of 10-15 people no one will detect plagiarism – consider what you can claim originality. If, in addition to at least two – three people your liked the music – you have your listener. So you can compose music (songs) that are popular with some people.

Then it all depends on your desires and skills – improve, operate, go for it. Road steady wins the race! Good luck! If the test fails – work on yourself, learn, listen to music and analyze it, raise your level, and then repeat testNu and if, contrary to expectations, you could not pass the tests I have proposed – do not worry. Remember that genius – is the product of talent to work. But Rome was not built. Work on yourself, learn, listen to music and analyze it, raise your level. But then again test.Zadeystvuyte not used by you 90-95% of your mental capacity – and you will succeed! Scientists say that the average person uses 5-10% of the capacity of your brain. Many do not believe in it. And I believe. And you believe that 90-95% Your mental capacity is not used. Engage him – and you will be successful! Thanks, that was me.

Depending on the source of musical material, loss of compression or even invisible, or still chutchut heard. (It should be noted that even if you can hear all the same system admirably with the restoration of the signal, while it sounds pretty good.) With the method lossless compression (eg, mlp – see below), no information is destroyed. When decoding and playing back all recovered fully. System is lossless compression Meridian. mlp – a compression standard used in dvd, to burn six channels with high-resolution 96/24. mlp is remarkable that during the compression does not throw out any signal information and, accordingly, does not affect the sound quality. mlp compresses the information in a ratio of 1,85:1 (approximately 45%). Issuance licenses for its use of managed Dolby Laboratories.

Kodekiyaptoipd. In obschemto not necessarily pass through a mix of codec, but still sometimes useful to hear what he (Dolby, dts or MLP) will make a finished recording. They can significantly change the sound. Many producers did not veshi Hott left at the mercy of komuto further along the processing chain, and prefer to do everything themselves (eg, adaptation and night levels). The 'Adaptation' automatically turns up surround 5.1 available in this system the number of channels. In other words, if available, only two channels, then rolled up to surround stereo. Although this is less desirable than having a separate stereo mix, a codec Dolby Digital offers several options adaptation. Night level – basically the same thing that the system volume control surround.

Harmony – the second component. Harmony has its own laws, including the functional relations (T, S, D), the logic of harmonic motion and development of voice. You will not "ship" harmonic detail, except to say that knowledge, though most common ground of harmony, it is desirable. In order to make an interesting, fresh harmony, we must know the basic, standard harmonic methods. It was only after You can then look for something trivial. On harmonic voice-I will not say – that science is well described in the "Talmud".

Here we must mention such a moment – the melody and harmony are always interrelated, they interdependent and work together. " They can emphasize the dignity of each other (as well as and level). And it is not always one component without the other can be sufficiently original. Say, the harmony alone, alone currently can not shine with novelty and originality, and in combination with the melody, it is able to "tune up". On the contrary happens rarely, but it occurs, and sometimes deliberately used.

Bass – the third component. Often, he said, and sometimes more important than the chord accompaniment melody. Bass is the harmonic foundation (not to be confused with a frequency basis) and must be properly registered, is built. It has two basic types of movement – this quarto-quint and smooth, often postupennoe. When quarto-quint presentation on the strengths and relative strengths share tact must accept or fifth of the current chord. When sliding motion postupennom bass often "fall", except for primo and quints and another chord harmony sound – third, and in seventh chord and the Septim. Thus, the bass harmony involves the presentation of appeals to the chord that is considerably enlivened and diversified by the harmonic motion. Spend little research of your (or someone else) of the material songs – play just the melody and bass, to estimate the measure of expression only in their basis. And once you hear how good / not good, logical / illogical your bass. Two words will add about ornamentation of the bass line. With its ornamentation should always remember that the strong share of the bar should be taken the basic sounds (note) chord. After all, the bass is the foundation of harmony and "freedom" it is not permissible. In otherwise lost functional definition .O interaction of all three components. If the melody of "fresh", the harmony of interest, and the bass is right and logical, the result, you may qualify for some level of "art" of your song. Aspect of the instrumentation and arrangements (different things), I is not touching. And if all three ingredients are well described, even if unfinished, or arrangement of the song rather weak would be "sound", anyway, its brightness and melody find themselves. Conversely, if the source material is weak and inexpressive, the most fancy arrangements and various "chips" will not save the situation – the product of will bleklym.Gennady , composer.