Production Hand Guitarist

Good day, dear readers! Today, my article on how to learn to play guitar without having any musical education, nor even any initial information about how to do it. On the Internet There are countless Web sites and portals for guitarists, where you can download a variety of school sports, chords, tablature, and so on. But what if you do not know how to read tablature, and generally how to keep the hands of a guitar? In this article I would like to highlight the following points: 1. Landing guitarist 2. Statement of the hands. What should be the landing of a guitarist? Of course, planting should be such that does not deliver discomfort during the game: your fingers can easily and quickly navigate through the neck. For this to happen, one leg above the other, so that it can be convenient to put a guitar.

Some put it to his legs. What is uncomfortable? The fact that, firstly, in this case have little to support the guitar with his hands, and secondly, could cause discomfort in the legs during the game. It is best to still use any stand under the left leg (Do not blame me for being too academic, but still, in the classic landing there is a lot of good) – in this case, you can generally find a position the guitar, which she herself will stand on your feet, and it will not have to hold, plus there will be no negative feelings. Need to keep your back straight. Now a bit about setting the hands. Here and below, I will parse the statement of hands on playing acoustic guitar with your fingers (as article is addressed to those who are doing this only the first steps). The right hand should be free, without stress, the body lying on the guitar.

Slightly curved downwards at the wrist wrist rests his fingers on the strings. If a game will occur voltage, then there is an error in setting the hands, and they must be eliminated. In the arrangement of the left hand, there are two options: classic and more modern setting. The classical statement is as follows: arm hanging down perpendicular to the neck, the thumb is approximately the middle of the neck, the fingers slightly bent and pressed against the string is perpendicular to the front surface of the neck. Traditionally, the classical formulation is more convenient in terms of speed of movement of the hands of the neck and jump from string to string. Modern production is more common and is characterized in that the thumb of “peeps” from above the neck, with the hand not hanging down, as in classic. Such a formulation is more convenient in cases where the play had to stand at a concert. I recommend to combine one and another kind of setting for maximum comfort while playing. Also need to make sure that when you play the left hand are not strained. Following these recommendations, you will learn more deliberate play on the guitar and learning the game will be much nicer. Do not stop there, move more!

Boris Asafev

Humor in these compounds becomes irresistible, the lyrics, while remaining simple and heartfelt. becomes elevated features. For the composers of the 20th century, the question of authorial style and its specific incarnation, the musical language is one of the most critical: because of an overabundance of musical information, stay in the ear like a prisoner already created all the music find its own it is very difficult. Here, there, in my view, three main ways: First, the path of following the practices of a national musical language. Second, the creation of his own musical language with the greatest distance from the existing ones. Finally, the third- creation, so to speak, "meta-language" using methods and means of all known "muzyk2 as signs, symbols. terms of composing musical vocabulary. Naturally, these paths are in a real composer practice often overlap.

And yet, speaking of trends, Gladkova undoubtedly can be attributed to the artists of the last, the third channel. In this way avoid eclecticism can only bright personality. that can rightly be say about Gladkova. The intrinsic nature of the composer's talent, encouraged to support a means for his music virtually unhindered contact with the listener. This is a stylization. It performs a variety of functions, from the grotesque, from the witty and sly parody to the hidden author of the lyrics, hidden under a mask as if indirect lyric depicted characters.

The last detail is important: an unusual lyrical gift of the composer is personified in the form of fairy-tale heroes, heroes of different countries and periods. Many of his style with this flirty self-portrait at the same time bear and seal the author's distant smile. Enough remember the scene of the king and courtiers of the story "In the wake of the Bremen musicians or charming duet," Ah, madam, "a television movie of" ordinary miracle ". On the other hand, it means you can style as would allow themselves in our rational age Sami express different emotions without fear of seeming sentimental, naive and ridiculous. Democracy of his music is one of the most remarkable of its qualities. He was not simulated, do not. He based on assimilated hearing musical means of expression, which is far from exhausted. For example, the tone. in the skillful hands tone remains on the set of colors, subject, yet less. modal logic semistupennoy system with a strict hierarchy of functions. Or harmony. All luxurious harmonic innovations of the composer's built on a strong classical base. You can take any work Gladkova. take off melodic and rhythmic pattern of leave-frame harmonic skeleton: get excellent chorale. It is amazing ability to convey the composer's music polutonalnost emotional psychological state. Any feeling, expressed by the composer, it is not just recorded music-emotion condition, and like crystal, rotating to different sides of the listener: that joy, doubt, hope, desire … His music can be likened to a living organism: breathing, developing. changing every second. How to write an outstanding musician and composer Boris Asafev. To be "in modern music, while good to hear. accessible – not in the vulgar sense of the word, destiny few musicians: it is extremely rare talents … "These words can be attributed entirely to Gladkov, for his work with highly professional and accessible, open, addressed not to and a handful of the crowd, but each of us. He creates the music is easy and natural as breathing. Her life is as comfortable on the plates and screens. in the fresh air and the train the train, in kindergarten and in "serious" institution for the stage and concert hall.

Allterrain Amphibious ARGO

SUVs, reliable technology, but its capabilities are not limitless. And it is unlikely the owners of expensive cars are willing to ruin them in a cross-country. To travel around the swampy and difficult terrain. Better use all-terrain amphibious Argo. Abroad using these ATVs individuals, government agencies and the army.

Some models of all-terrain vehicles used for the Coast Guard, for agriculture and forestry, industry. In Ukraine, ATVs ARGO is the official distributor of technology Argo, the company Argo center of Ukraine ". In some warmer countries for the regular army. In Ukraine, the technique preferred by hunters and ARGO anglers, lovers of extreme entertainment. When almost impossible to reach hunting grounds on foot or by jeep. In this case, using all-terrain ARGO.

Canadian ATV ARGO – a full-fledged car for comfortable ride in off-road conditions. Wonders of the speed on it, of course, not prodemonstriruesh (it's not race car), but where the usual SUV begins to "sort out the wheels, all-terrain Argo rides without much difficulty. Moreover, these amphibious ARGO not comparable to the cost c solid jeeps: the price of the basic model Argo begins at $ 19,970.00. But believe me, it's worth it! Again, the fuel consumption in heavy-duty off-roader at 35 liters per 100 kilometers, the ATV ARGO – 10 liters. We give a brief technical description: Centaur 8×8 – engine B & S Daihatsu, (turbo diesel), volume 952 cc, r / n 700 kg. Industrial and commercial applications, public sector, army, hunting base, agriculture and forestry Avenger 8×8 – Engine Kohler Aegis, 700 cc, with 25-inch wheels, all-terrain vehicle, amphibious vehicle with permanent four-wheel drive to transport people and equipment by impassable terrain and through water.