More One

Posted

Going forward, while not align pin on the intact side verbilbanka, its end surface, he further breaks down a seat at the top, thereby increasing its diameter. If this operation section of the difference between "native" and repair small groves, then in the subsequent setting up the piano, she can not provide a reliable friction. Withdrawal from the pin significant difference sections of "native" chopping at scoring will "resist" and as a consequence, it is possible deformation. The tuning key on it just does not nalezet. There is also a danger that the super-powerful pressure created with the new scoring repair chopping, with a large difference in cross-section of the "native" will not allow full adjustment tool later, as the Adjuster will be difficult to "catch the desired sound." More One of the caveats, pocketing repair peg with significant difference in the cross section of the "native" chopping, it is likely to break even when you set it, because it is made of sufficiently strong, but brittle material.

I Not to mention what the breaking load tests in this section and verbilbanka. I consider it possible to share one more to their supervision. Very often seen that after plugging repair groves, adjacent, side by side, as a rule, do not build. This is especially true of the small octave range, where the pegs are located closest to each other. With high confidence, we can assume that in this case we have already partial softening of the individual layers verbilbanka, even at a considerable distance from the considered chopping naturally reduces the functionality of multiple, adjacent pins.

The Situation

Posted

In addition, immediately after writing the next article I plan to post it on your site. You can find them in the page. A post content on the pages electronic publications, directories, partner sites and guess after a while. The logical construction of the series "The creation of new songs and music" Thus, starting from the "technology" and of making music and Please, realize and experience I have in 23 years composing, I plan to go to identify problems that hinder the creation of beautiful new music and its promotion to a mass audience. Then look forward to offer their vision of options out of the situation for ordinary fans, and for songwriters and music. As one of these options, I want to describe their experience in creating, promoting and arranging songs and music in comparison with others and depending on the goals. A series of articles "The creation of new songs and music" will be interesting and useful: For people wishing to become sponsors of new songs, new music I hope that the series of articles will be interesting and useful first all the creative people who want to become authors of the new songs, new music (especially the young, novice). Those wishing to join the excellent, good, eternal combination of philosophical comprehension of the situation musically art and show business with my own eyes "inside", as a songwriter and composer, can provide food for thought for people who sincerely anxious state of musical culture, who want to involve our people and join themselves to the beautiful, good, eternal, to make people better, more beautiful and inspiring.