According Oybermana, he learned a lot from him while working on an improved model shikapshiny them. Before going into manufacturing tools, Vladimir Grigorievich prepared appropriate scientific base, thoroughly studied the design, other features of the preserved specimens. Exploring the ancient monuments of musical culture, he made several important discoveries related to their existence, the specifics of the game to them and so on. Thus, the elongation, the elongation of the body of musical instruments of the North Caucasus, or that they have the legs instrumentoved explained the nature of the game to them. Artists played music while sitting on a low stool or on the ground, because the tools were required to have a foothold in the land. And here, for example, Russian bowed instruments – short, as played by They stood, holding the weight. The first of the hands of the master came Adyghe shikapshina. Since then, V.
Oyberman recreated 25 species of tools of the North Caucasus and in the first place, Kabardin and Balkar. And if today in Nalchik National Instruments is widely portrayed, it is due to Vladimir G.. He actually laid the foundation for our professional teams – the Adygei theater music "Bzhamy" National Orchestra tools, Kabardino-Balkar school culture and art "Shikapshina." At the musicians are playing dance ensemble "Kabardinka", "Balkar", "Nalmes" students in the department of folk instruments of the North Caucasus State Institute of Arts and Adyghe State University, not to mention the residents of children's music schools. Tools made by hand Oybermana become a boon to many art groups Adygea, Karachay-Cherkessia and South Ossetia.